I get a list of what Resolve is complaining about. I happen to know that Resolve did find this media so I am going to click No. Resolve is complaining that 5 of 5 clips were not yet found. Other than that I’m just going to click Ok. I also have the option to use sizing information, and I also have the option of using color information from Final Cut. If I had copied my media to another location, then I might have to manually find it. Since Final Cut is on the same machine as DaVinci Resolve I can go ahead and automatically import source clips into the media pool very easily. I click open and then I get this load XML dialog. So now I simply find that Final Cut Pro XML file that I had exported. If I right-click in here it’s the same command, Import AAF, EDL, XML. I’m just going to call this today’s export, click Save.įinal Cut Pro does the rest, and I’m done.Īt this point I can quit, open up DaVinci Resolve 11 and what I’m going to do is create an untitled project, a brand new project.Īnd to import that XML from Final Cut Pro I need to open up the edit page, the edit page is where I import my projects, and I can right-click inside of the timeline browser or I can simply go up to File > Import AAF, EDL, XML. I’m going to leave Metadata View to General, and I’m going to find the location I want to save this, in particular I want to drill down into Jump Scares. And with all of this in the timeline it’s a simple thing for me simply choose File > Export XML. So here I’ve got a timeline from Final Cut Pro X, you can see I’ve got multiple tracks of audio, I’ve got several cuts, I’ve got some effects including speed effects, particularly for this little girl who is spazzing out because she’s a ghost. In this episode, we’re going to see how you can export a project from Final Cut Pro X and import it into DaVinci Resolve. If you want to see a video tutorial walkthrough, check this video.I’m Alexis Van Hurkman and welcome to Resolve in a Rush, where you’ll learn DaVinci Resolve grading and finishing techniques in under 5 minutes. Some footage will simply not work, so do not get discouraged! Video Walkthrough Use Perspective mode at first and if that does not work, try the others. Done!Ĭool! Now you know how to stabilize a video in DaVinci Resolve and you have three ways to do it. Original Perspective Similarity TranslationĪs you can see, none of them are perfect, but with Similarity mode, I got the best results. I will give a bad example of footage that has strong shakes and autofocus problems to see the extent to which DaVinci can or can’t stabilize. Example of stabilization on a shaky video If the footage is way too shaky or has focus issues, you might not be able to do it. If it doesn’t look good, all you have to do is try again and again with different settings until you get it right. To stabilize a video in DaVinci Resolve you must choose the settings you want, and press Stabilize. Value -1 is the opposite of value 1 it will create more movement.Strength tells DaVinci Resolve how strong you want your stabilization to be. The higher the value, the more it will increase the cropping. Smooth will smooth things out without trying to eliminate the movement. Yes, I am not mistaken, the lower number is the highest in this case. The 0.250 value is the highest, while 1 is the lowest. The Cropping Ratio tells DaVinci Resolve how much of the image are you willing to lose. It will not remove all the black areas left on the edge that will appear after the footage is stabilized. If left unchecked, the Zoom function will not scale the image. Check the Camera Lock check box to activate it. Incompatible with too much camera movement. Camera lockĬamera Lock will try eliminating all of the movement in the footage. Usable only when X and Y stabilization gives acceptable results. Translation enables Pan analysis, Tilt analysis and stabilization only. You can use this when the perspective analysis results in unwanted, exaggerated motion deformations. Similarity enables pan, tilt, zoom, and rotation analysis and stabilization. It enables perspective, tilt, pan, zoom, and rotation analysis and stabilization. Just like in Premiere Pro, Perspective does something similar to Warp Stabilization. You can scroll down in this blog for video examples of how each mode stabilizes. These will interpret your frames and stabilize the video in different ways. To find them, click on the drop-down menu located next to Mode. To stabilize your video, you can use one of the three available algorithms: Perspective, Similarity, and Translation.
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